'Pushing Daisies' was honored with an award from the Casting Society of America, winning an Artios Awards, the Hollywood Reporter says || James Cromwell, who played Zefram Cochrane in 1996's 'Star Trek: First Contact,' broke his collarbone in a fall off his bicycle last weekend, Yahoo! News reports. He's expected to fully recover. || ABC's 'Lost' will return to Wednesday nights starting Jan. 21. A clip show will run at 8 followed by a two-hour premiere. || All of the Star Trek movies could be coming to Blu-Ray as early as next year, Digital Bits says. Paramount had supported HD-DVD, but has conceded defeat to Blu-Ray, and is now moving to the format || SciFi Channel's 'Warehouse 13' has completed its creative staff with the likes of Jack Kenny, David Simkins, Drew Greenberg, Stephen Scaia, and others || 'Pushing Daisies' was honored with an award from the Casting Society of America, winning an Artios Awards, the Hollywood Reporter says || James Cromwell, who played Zefram Cochrane in 1996's 'Star Trek: First Contact,' broke his collarbone in a fall off his bicycle last weekend, Yahoo! News reports. He's expected to fully recover. || ABC's 'Lost' will return to Wednesday nights starting Jan. 21. A clip show will run at 8 followed by a two-hour premiere. || All of the Star Trek movies could be coming to Blu-Ray as early as next year, Digital Bits says. Paramount had supported HD-DVD, but has conceded defeat to Blu-Ray, and is now moving to the format || SciFi Channel's 'Warehouse 13' has completed its creative staff with the likes of Jack Kenny, David Simkins, Drew Greenberg, Stephen Scaia, and others ||
 
 

Producer: 'Battlestar Galactica' Stuck In 'Sci-Fi Ghetto'



By MICHAEL HINMAN
Source: SyFy Portal
Jun-25-2008

Anyone who looks around the writing room for "Battlestar Galactica" will clearly see there's not a lot of hope that SciFi Channel's signature show will get any more attention from the Academy of Television Arts & Sciences for this year's Emmys than they have any other year.

David Weddle, a supervising producer for the show, said in fact he was shocked enough people noticed "Battlestar Galactica" to offer Emmy nods to Ronald D. Moore and Felix Enriquez Alcala for writing and directing last year.

"Well, we're in the sci-fi ghetto still," Weddle said during an interview on SyFy Radio last week. "We're still a science-fiction series, and the vast majority of voters don't understand the show or haven't even seen the show. But I would love to be surprised."

But Emmy nominations are not the foremost on the minds of those working to put the final touches on four seasons of the show that has helped established SciFi Channel as a cable network capable of making groundbreaking television, Weddle said. The reach of "Battlestar Galactica," with or without an Emmy, will extend for a long time to come.

"I think this will be remembered and watched and lived for many decades to come when a lot of Emmy winners of the present day will be forgotten," Weddle said. "That's as it should be."

While an Emmy nomination would certainly raise the profile of "Battlestar Galactica," it's been its work being one of television's best shows that no one really watched that's allowed the show to hit topics that it probably couldn't otherwise.

"Because our profile is so low, we've been able to tell the kinds of stories we've been able to tell," Weddle said. "We're off the radar because we're just a sci-fi show, and we've told some pretty amazing stories because we're just a sci-fi show. We're not on the radar of the networks, or the censors. To me, that's a positive way to look at it."

Weddle and writing partner Bradley Thompson brought the mid-season finale to life two weeks ago, and while some fans may have felt cheated by the ending, they really need to get the whole story before passing judgment, he said.

"This is not an attempt to manipulate people," Weddle said. "Earth is a metaphor for all of us, whatever our hopes and dreams might be. There is no land of Oz at the end of the rainbow for any of us. When your dreams are shattered, what do you do? Where do you go from there? And that's what we wanted to investigate. It has larger thematic implications about war and destruction and the ability to rise above conflict."

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